画与景——展示空间设计
摘要
该展厅设计为本次设计的方案是一个560多平方米的画廊展厅，在原始结构框架的基础上，对整个空间进行了合理的划分，分布有油画展示区、陶瓷展示区、工艺品展示区、办公室、经理室、卫生间和休息区等区域。主要设计理念为回归自然，返璞归真。
平面布局上：在原始结构图纸上进行合理的划分，把整个空间划分成各种各样的空间，不同的曲线和纹理是整个空间蜿蜒曲折的，给人愉悦的感觉。展示通道通透而简洁，统一而纯粹。
色彩运用上：在展示设计在，用色彩营造气氛是一种有效的方法。原木色是传统主义的先锋代表，它诉说着自然，描述着某种事物的本源。展区的陈列背景色彩一致采用白色，烘托展品的特性，以免喧宾夺主。使观赏者对色彩产生强烈的反应 ,在记忆里留下深刻的视觉印象。
材质运用上：在本方案的设计中，我为了实现理想的视觉效果，设计中所应用的材料都要经过加工、处理、制成一定形状，并将成型的材料合理搭配，将不同的材料元素组合成整体。例如我的设计中多处采用生态木，通过排列组合，造型变换，制造出了不同的展示空间氛围。同时利用原木色，它诉说着自然，描述着实物的本源。也迎合了返璞归真的设计理念。
灯光照明上：在整个画廊展示设计中水平照明得到了应用，对于站台或者大型的水平展品，为了达到整体展示的效果，需要空间内的大面积照明。对于高大的展示空间，在本次设计中使用了悬吊式灯具。在画廊展示设计中采用了方向性照明，此举是为了加强展品的重点照明，解释展品的细节部分或塑造展品的立体感。
总之，社会的进步和科技的高速发展既对展示提出了更高的要求，全新的设计理念，同时也为展示设计提供了先进和多样的手段和技术，为现代展示提供了广阔的发展平台。
关键词：展厅空间设计；返璞归真；与自然相结合
Abstract
The exhibition hall is designed as a more than 560 square meter Gallery exhibition hall. On the basis of the original structure frame, the exhibition hall is reasonably divided, including oil painting exhibition area, ceramic display area, handicraft exhibition area, office, manager room, sanitary room and rest area. The main design concept is to return to nature and return to innocence.
In the layout of the plane, a reasonable partition is made on the original structure drawing, and the whole space is divided into various spaces. The different curves and textures are the winding of the whole space, and the feeling of pleasure is given to people. The display channel is transparent and concise, unifying and pure.
Color application: in the exhibition design, using color to create an atmosphere is an effective way. Log color is the vanguard of traditionalism. It describes nature and describes the origin of something. The background of the exhibition area is white with the same background and color, so as to avoid the characteristics of exhibits. It makes viewers react strongly to colors and leave a deep visual impression in memory.
Material application: in the design of this scheme, in order to realize the ideal visual effect, the material used in the design should be processed, processed and made into a certain shape, and the material is properly matched, and the different material elements are combined into the whole. For example, in my design, I use eco wood in many ways, and create different display atmosphere through transformation and arrangement. At the same time, using the log color, it tells the nature and describes the origin of the object. It also caters to the design idea of return to nature.
Lighting: horizontal lighting in the exhibition design of the whole gallery has been applied. For the platform or large horizontal exhibits, in order to achieve the overall display effect, large area lighting in space is needed. For the tall display space, suspended lamps are used in this design. Directional lighting is used in the exhibition design of the gallery in order to strengthen the highlights of the exhibits, to explain the details of the exhibits, or to shape the three-dimensional sense of the exhibits.
In a word, the progress of the society and the rapid development of science and technology not only put forward higher requirements for the exhibition, but also provide new and diversified means and techniques for the exhibition design, and provide a broad development platform for modern display.
Key words: Exhibition hall design; Recover one's original simplicity; Combine with nature
目录
第一章 绪论┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄1
第二章 展厅空间调研及总结┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄2
2.1调研报告┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄2
2.2色彩与自然的空间融合课题概念┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄3
2.3课题与设计相结合┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄ 4
第三章 展厅空间设计简介┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄5
3.1主题介绍┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄5
3.2设计意图、创意来源┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄5
3.3设计过程简介┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄6
3.4平面介绍┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄8
3.5软件制作┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄13
3.6方案展示┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄15
第四章 结论┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄18
致谢┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄20
参考文献┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄21
参考文献
[1]李远.现代展示设计的发展趋势[J]艺术教育. 2008(09):137
[2] 章琴芳. 现代展示设计的发展趋势[J]. 新美术. 2010(01):100-102.
窗体顶端
章晴方. 现代展示设计的发展趋势[J]. 新美术. 2010(01):100-102.
窗体顶端
章晴方. 现代展示设计的发展趋势[J]. 新美术. 2010(01):100-102.
